Olumbo beads are old Czech beads made from glass which were popularly worn by the Nigerian people at the height of African trade in the past centuries. Olumbo beads were part of the selection of African trade beads which were used for purposes of trade by African kings and chiefs while trading in slaves, ivory and other goods with western sea faring merchants as far back as the late eighteenth century. Today, Olumbo beads can be strung on raffia – bead to bead, to create beautiful bracelets and necklaces for the discerning beaded jewelry lover. The beads are usually available in attractive colors such as pink and various other shades of red, but can be found in green.
The rich history of Ghanaian beads dates back to ancient times when they were first used as the King’s currency for the exchange of slaves, textiles and alcohol. Later on, they became popular in the ancient coming of age rituals for girls. Today, they are valuable as foreign exchange earners, as well as tourist attractions. The modern day woman – both African and non-African, is rediscovering the beauty of these Ghana beads which are today growing in popularity.
The colors of Ghana beads have meaning. For instance, in certain parts of Ghana, white colored beads evoke fertility; blue colored ones are associated with purity; while golden ones are a symbol of wealth. Bodom beads are yellow with a diamond shape design of a darker color such as blue and were traditionally produced to be worn exclusively by African chiefs. Once you know what the colors of your beads symbolize, wearing them becomes a much more personal experience.
Dutch Dogon beads are large wound glass beads which get their name from the fact that they were made by Dutch people in the Netherlands and later became popular with the Dogon people of Mali who couldn’t resist their exquisite beauty. Believed to date back as far as the 17th century, these beads were often used in Dutch villages to make garden mosaics, instead of having flowers in the formal gardens during the late seventeenth and early eighteenth centuries. This was before they found their way to the shores of West Africa to make jewelry for the Dogon people. Popular colors for Dutch Dogon beads are most often blue but can also be back black, white or brown.
Button beads are small glass beads which resemble modern buttons, although they do not have a group of central holes. These beads date back to the Etruscan period and the time of the Roman Empire, but later found their way to Syria and Egypt. Button beads are generally very beautiful and boast artistic workmanship. Today as in the past, button beads are used to make exquisite necklaces using these beads entirely, some of which may be cemented together two and two in order to form a single bead. Button beads take on various shapes including circular, flat, oval, plane, convex or convex-concave shapes.
French Cross Beads are African trade beads with a history dating back to the late 19th century in Africa. French cross beads were made in Venice and commonly used for trading purposes in Africa during the late 1800s and the early 1900s. However, in the late 1960’s French cross beads witnessed a revival when bead traders began to export them from Africa into the United States and Europe.
Today, French cross beads can be found in many expensive private collections around the world. Like other African trade beads, the designs of French cross beads are constantly subjected to ever-changing and dynamic fashion trends, with many of the styles that were available just a couple of years ago being completely out of stock in no time.
Kiffa beads are rare powder glass beads which acquired their name from Kiffa, a city in Mauritania where they were first documented by French ethnologist R. Mauny in 1949. Kiffa beads represent one of the highest levels of bead making skill, artistry and ingenuity due to the fact that they were created using the simplest tools and materials available, and in open fires. These materials included pulverized European glass beads or their fragments, bottle glass, tin cans, pottery shards, steel needles and some gum Arabic. Decorations for the beads were made from the glass slurry – the crushed glass mixed with a binder and then applied using a pointed tool such as a steel needle. The beads were then placed in small containers such as sardine cans and thereafter heated to fuse them in an open fire, without the need for molds.
Skunk beads are beautiful wound and decorated African trade beads which create great strands of jewelry items. Originally made in Venice, these beads were commonly used for trading purposes in Africa during the eighteenth and nineteenth centuries. Skunk beads are a must have for every collector worth their salt and today grace many private collections around the world. Because of the increasing popularity of skunk beads amongst bead lovers today, African bead traders now have to go deeper into Africa to find more of these skunk beads which are becoming rarer with each passing decade – which of course makes them even more collectable.
The style of White Heart beads was invented around the year 1480, whereby red glass was colored using actual gold. Naturally, because of its value, the gold had to be used sparingly by the bead makers. As such, they instead opted to use cheap color filler for the core of the bead with the red only forming the outer layer. During the years 1480 – 1830, bead makers began using green color to craft these beads. However, after 1830 both yellow and white were commonly used, along with a translucent red coat. After 1860, bead makers stopped using yellow altogether in making White Heart beads and exclusively opted for white color.
Originally made using salts from the Dead Sea, Hebron beads date back to earlier than the mid-19th century. Hebron beads – also referred to as “Kano beads”, are commonly found in a dull yellow color, although they also appear in various shades of green and blue, although rare. These beads are a favorite amongst antique bead collectors who cherish them for their rich history which saw them travel from Egypt, along the Nile, into the Sudan and even as far as Ghana to adorn the bodies of West African royalty. Their craftsmanship involves their being wound straight in furnace to produce a shining glass bead. The larger of the Hebron beads are referred to as Mongur, while the smaller ones go by the name Harish.